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Turn fractions of a second into seconds and seconds into minutes, even in bright,
harsh light – and enter an exciting world of dramatic motion and blur effects.
Transform rushing rivers, meandering clouds or other moving subjects into ethereal images. And use wider apertures to minimize diffraction on long exposures, soften distracting backgrounds and enhance bokeh. Can be used with strobes and other light sources in the field or studio. Ideal for video shooters, too. Available in a full range of sizes and mounts to fit your lens or filter holder.
“There’s no cheap or easy way to make a high-quality neutral density filter. I’ve compared filters from other manufacturers. Without question, Singh-Ray Mor-Slo filters are the highest quality NDs, with no measurable color shift.”
Click for slideshow of the types of photos you could be creating with Singh-Ray Mor-Slo filters.
Taken minutes apart by Jack Graham, left with Lee Big Stopper, right with Singh-Ray 10-stop Mor-Slo.
“I’ve tested most of the fixed-stop ND filters on the market.
Mor-Slo filters represent a quantum leap improvement in image quality,
with none of the unnatural color casts I’ve seen with other filters.”
“Those who don’t want to use quality ND filters
tell me it’s easy to remove the color cast in post.
One reason I use Mor-Slo’s is to get as much right in the
camera as I can and minimize my post processing.
Plus, there’s a certain satisfaction when the image out of the camera
is close to what you visualized.”
Without filter (left) and with Singh-Ray 15-stop Mor-Slo (right)
“15 stops of ND gives you more creative freedom.
And you can shoot at base ISO and get a cleaner result.
You also aren’t forced to stop down to f22 to get a long exposure.
That’s really great for avoiding refraction
or using shallow depth of field as a creative tool.”