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Working with a polarizer in Namibia

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Jay DickmanLeave a Comment

Light isn’t always light. We often have those times when the light is pouring through the particulate matter of an urban landscape, the “stuff” in the air warping the air molecules into a huge “soft box.” Those early and late “golden hour” moments provide that magical light all photographers love to find – and use. Sometimes however, the light provided is less than perfect, or the sky hovering over the landscape is too “blown out” (too bright to be able …

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Random thoughts….

In Equipment & Technique, Polarizing Filters, Scenes & Scenarios, Wildlife by Ed HeatonLeave a Comment

Ramblings from the White Mountains Just wrapped up a photography/camping trip to the White Mountains of New Hampshire – and spent a lot of time roaming the White Mountains in exploration of the abundant photo opportunities. They are spread out, but so are many of the iconic areas, so this was nothing new to us. There were numerous waterfalls in the area and, if you head down to the Lakes Region, you’ll find countless lakes and reflections. I have two …

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“All-in-camera, old school photography” with digital cameras, Part 3

In Equipment & Technique, ND Filters, Polarizing Filters, Wildlife by Randall HodgesLeave a Comment

In this third installment, I’d like to drill down further into the “Digital Rolls of Film” process that I rely on, show you a few images and explain the filters and settings I used to create each image entirely in the camera – with less than one minute each of post-processing time! Silver Falls in Golden and Silver Falls State Natural Area in Oregon. F/22 @ 1 sec. -1 stop Exposure Compensation, ISO 50, 67mm with Singh-Ray LB Circular Warming Polarizer. …

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Some tips and techniques from the “Last Frontier”

In Equipment & Technique, ND Filters, Polarizing Filters by Jeff SchultzLeave a Comment

Editor’s note: We are pleased to welcome Jeff Schultz to our blog. Jeff has lived in Alaska for close to 40 years and conducts workshops and custom tours to many of his favorite locations throughout the state. Canon 5D Mark III with 16-35mm f4 lens at 19mm, f9 for 4 minutes ISO 400. Singh-Ray Mor-Slo 10-stop ND filter and 3-stop, hard-edge Galen Rowell ND grad. Filter It! Being an old-school film photographer, I’ve always maintained that making the image the best I …

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Polarizers, how they work, when and how to use them…

In Black & White, Equipment & Technique, Polarizing Filters by E.J. PeikerLeave a Comment

Editor’s note: This is an updated article on polarization that E.J. originally wrote for the Singh-Ray blog several years ago. The spring and summer are definitely times you want to have your polarizer with you, so we thought this might be helpful. Polarizing filters are one of the most misunderstood areas of photography that I encounter while teaching and moderating online technical forums on photography. It seems that only flash photography is more misunderstood in my classes and workshops. There …

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Tips For Better Wildflower Images – Part 2

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Don SmithLeave a Comment

Lupine and Balsamroot against setting sun, Columbia State Park, Dalles Mountain Ranch, Washington. Sony a7R, Sony/Zeiss 16-35mm, f/22, 1/8th, Auto ISO @ 640. Tip #6 – Auto ISO Most new digital cameras are now offering Auto ISO. I find, when photographing wildflowers and fighting a relentless breeze, that this feature can save the day and really allow me to concentrate on my composition. I first tried this feature last March in the hills of southern Washington. I was working on …

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Tips For Better Wildflower Images – Part 1

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Don SmithLeave a Comment

Editor’s note: It’s flower time in many parts of the world now, so we thought these tips from Don Smith might be helpful – here is part one. Don’s essential tools for shooting wildflowers include his Singh-Ray warming and neutral polarizers. Many photographers also choose our ColorCombo polarizer for flowers. One way or the other, a polarizer is a must-have creative tool for this type of photography. Sunset and spring hills, Southern Santa Clara Valley, Diablo Mountains, California, Sony a7R …

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Capturing a special moment at the Taj Mahal

In City/Urban, ND Filters, Polarizing Filters, Scenes & Scenarios, UV Filters by Jay DickmanLeave a Comment

The Taj Mahal was built in 1631 by Shah Jahan, as a testament to the love he felt for his wife, Mumtaz Mahal who died giving birth to their 14th child, Gauhara Begum. The ivory-white marble mausoleum is built in a combination of Persian and Mughal architecture. The tomb contains both the false sarcophagi in the main chamber, as well as the actual tombs of Mumtaz Hahal and Shah Jahan, which are in a lower level of the building. The …

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Are you a photographer or a tourist?

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios by Gary HartLeave a Comment

Editor’s note: Having recently experienced this dilemma on a trip with my daughter, I found this article by Gary to be especially meaningful. We hope you do, too. Warm Light, El Capitan Clearing Storm, Yosemite (2007) Canon EOS-1Ds Mark II, 17 mm, 1/6 second, F/11, ISO 100, Singh-Ray neutral polarizer and Galen Rowell graduated neutral density filter. Years of leading photo workshops and reviewing the work of others has convinced me that to capture great images and maintain domestic bliss, …

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5 reasons why you should be using a circular polarizing filter

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios by Don SmithLeave a Comment

  The sun sets through fog as seen from Fremont Peak State Park, San Benito County, California (Sony a7R II, Sony/Zeiss 24-70mm, f/22, 1/10th, ISO 100, Singh-Ray Neutral Polarizer) If you are serious about your landscape photography, there is one filter that should be on each lens in your bag – a polarizer! Why? Well, that is what I will discuss in this article. But first you need to understand that the one filter that cannot be re-created in post-processing …