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Photographing Wildlife with Filters

In Equipment & Technique, Polarizing Filters, Scenes & Scenarios, UV Filters, Wildlife by Vinny ColucciLeave a Comment

I have a large selection of various Singh-Ray filters.  Filters, to me, are about controlling light. When we think of using filters, most of us are thinking landscape photography. It just so happens that controlling light with filters is equally important when photographing wildlife. I use two filters when photographing wildlife: the Singh-Ray Polarizing Filter and the Hi-Lux Filter. Both have their value in different situations and both are necessary to optimize the image quality. There are two types of …

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Random thoughts….

In Equipment & Technique, Polarizing Filters, Scenes & Scenarios, Wildlife by Ed HeatonLeave a Comment

Ramblings from the White Mountains Just wrapped up a photography/camping trip to the White Mountains of New Hampshire – and spent a lot of time roaming the White Mountains in exploration of the abundant photo opportunities. They are spread out, but so are many of the iconic areas, so this was nothing new to us. There were numerous waterfalls in the area and, if you head down to the Lakes Region, you’ll find countless lakes and reflections. I have two …

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“All-in-camera, old school photography” with digital cameras, Part 3

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Wildlife by Randall J. HodgesLeave a Comment

In this third installment, I’d like to drill down further into the “Digital Rolls of Film” process that I rely on, show you a few images and explain the filters and settings I used to create each image entirely in the camera – with less than one minute each of post-processing time! Silver Falls in Golden and Silver Falls State Natural Area in Oregon. F/22 @ 1 sec. -1 stop Exposure Compensation, ISO 50, 67mm with Singh-Ray LB Circular Warming Polarizer. …

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When the great becomes commonplace

In Scenes & Scenarios, Wildlife by Tony SweetLeave a Comment

I remember years ago, after submitting images for an article, a phone call from my editor. “Please… no more slot canyon shots. Please….” I was disappointed, but I understood. For several years after the slots got “discovered” by people with their new DSLRs, slot canyon and desert southwest images were all over the internet. That’s when the handwriting was on the wall, from what I could see. Images that were previously inaccessible to all but the most dedicated photographers and requiring specific, finely …

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Photographing moving water

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Water Features, Wildlife by Robert ClarkLeave a Comment

Moving water – waterfalls, rivers, streams and surf – often presents unique challenges to the landscape photographer. The most common way to capture images of moving water is to use a slower shutter speed. But how slow should the shutter speed be? The answer largely depends on the effect you are looking for in the final image. I normally divide my approach to shooting moving water into these three desired effects: – Silky – Milky – Textural The silky effect …

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Pursuing subtle

In Landscapes, Scenes & Scenarios, Wildlife by Mark LissickLeave a Comment

In this age of “in-your-face” visual imagery we have come to be enamored by explosive vibrancy. Images are designed with easily categorized subjects allowing the viewer the ability to quickly digest the visual message and then move on. In the realm of artistic endeavor this is becoming almost formulaic. While some fantastic images are the result, such design structuring can stifle one’s imagination. Creativity does not thrive in a box. Images that limit the viewer’s choices leave little for interpretation …

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What grabs your attention? That’s what your picture should be.

In Scenes & Scenarios, Wildlife by Don SmithLeave a Comment

  “When Forces Collide,” Big Sur Coast, California, Sony a6000, Tamron SP 150-600mm @900mm, Sony LA-EA4 adapter, f/11, 1/1000th sec., 800 ISO I work with a lot of amateur photographers. There are times we are on location when I get the question, “so what are we shooting here?” Sometimes the answer is rather obvious, but oftentimes it’s not. As an instructor, these are the times I seize to really teach. My first response is to not hand it to them …

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Photographing the Yosemite, Part 2: Summer in the High Country

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Wildlife by Steve KossackLeave a Comment

Editor’s note: to read Steve’s previous Yosemite post, Part 1, click here. In the summer months at the Yosemite, it’s the high country for me. And you don’t need to get far into the wilderness to experience it. David Brower’s ice cream cone scenario often comes to mind as we leave Tuolumne Meadows on route to the Yosemite high camps beyond. The camps were built in the 1920’s mostly and remain one of my favorite locations for many reasons. There …

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My National Geographic Expedition to Iceland, Greenland and the Northwest Passage

In Action Shots, Equipment & Technique, ND Filters, Polarizing Filters, Portraits, Scenes & Scenarios, Wildlife by Jay DickmanLeave a Comment

Editor’s note: Longtime Singh-Ray shooter and National Geographic and Pultitzer Prize winning photographer, Jay Dickman, takes us through some wonderful images he shot during an expedition he led this past August. You might be surprised to know that these were all taken with the Olympus E-M1 mirrorless four-thirds camera. And, of course, with Jay’s Singh-Ray Galen Rowell neutral density grads, polarizers, Vari-ND and Color Intensifiers, the latter a filter that rarely comes off his lenses. Keeping up with the mirrorless …

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A perspective on filters… I’ve got hiking boots that cost more than most of them!

In Equipment & Technique, Landscapes, Polarizing Filters, Scenes & Scenarios, Wildlife by Steve KossackLeave a Comment

We welcome Singh-Ray’s most prolific blogger back to our new blog! Steve shares his perspective on using filters and setting priorities when it comes to the quality of your images. Each of my Singh-Ray filters is actually among the least expensive elements in my photo gear. Not only do I have hiking boots that cost more than most of them, almost everything I’m carrying does, from my backpack to my camera gear. And pound for pound, they deliver the best …