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Random thoughts….

In Equipment & Technique, Polarizing Filters, Scenes & Scenarios, Wildlife by Ed HeatonLeave a Comment

Ramblings from the White Mountains Just wrapped up a photography/camping trip to the White Mountains of New Hampshire – and spent a lot of time roaming the White Mountains in exploration of the abundant photo opportunities. They are spread out, but so are many of the iconic areas, so this was nothing new to us. There were numerous waterfalls in the area and, if you head down to the Lakes Region, you’ll find countless lakes and reflections. I have two …

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“All-in-camera, old school photography” with digital cameras, Part 3

In Equipment & Technique, ND Filters, Polarizing Filters, Wildlife by Randall HodgesLeave a Comment

In this third installment, I’d like to drill down further into the “Digital Rolls of Film” process that I rely on, show you a few images and explain the filters and settings I used to create each image entirely in the camera – with less than one minute each of post-processing time! Silver Falls in Golden and Silver Falls State Natural Area in Oregon. F/22 @ 1 sec. -1 stop Exposure Compensation, ISO 50, 67mm with Singh-Ray LB Circular Warming Polarizer. …

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When the great becomes commonplace

In Scenes & Scenarios, Wildlife by Tony SweetLeave a Comment

I remember years ago, after submitting images for an article, a phone call from my editor. “Please… no more slot canyon shots. Please….” I was disappointed, but I understood. For several years after the slots got “discovered” by people with their new DSLRs, slot canyon and desert southwest images were all over the internet. That’s when the handwriting was on the wall, from what I could see. Images that were previously inaccessible to all but the most dedicated photographers and requiring specific, finely …

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Wrong is sometimes right… and other considerations

In Landscapes, Scenes & Scenarios, Wildlife by Jack GrahamLeave a Comment

  At times there are a few traps we photographers fall into that hinder our creativity. Often the most common trap encountered is following rules … especially when it comes to composition. The four main rules in photography are: The rule of thirds; reading an image from left to right; avoid centering the horizon; and finally, not putting the subject of interest in the center of the image. All are valid. However, if you disregard these rules and in the …

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Photographing moving water

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Water Features, Wildlife by Robert ClarkLeave a Comment

Moving water – waterfalls, rivers, streams and surf – often presents unique challenges to the landscape photographer. The most common way to capture images of moving water is to use a slower shutter speed. But how slow should the shutter speed be? The answer largely depends on the effect you are looking for in the final image. I normally divide my approach to shooting moving water into these three desired effects: – Silky – Milky – Textural The silky effect …

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Pursuing subtle

In Landscapes, Scenes & Scenarios, Wildlife by Mark LissickLeave a Comment

In this age of “in-your-face” visual imagery we have come to be enamored by explosive vibrancy. Images are designed with easily categorized subjects allowing the viewer the ability to quickly digest the visual message and then move on. In the realm of artistic endeavor this is becoming almost formulaic. While some fantastic images are the result, such design structuring can stifle one’s imagination. Creativity does not thrive in a box. Images that limit the viewer’s choices leave little for interpretation …

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What grabs your attention? That’s what your picture should be.

In Scenes & Scenarios, Wildlife by Don SmithLeave a Comment

  “When Forces Collide,” Big Sur Coast, California, Sony a6000, Tamron SP 150-600mm @900mm, Sony LA-EA4 adapter, f/11, 1/1000th sec., 800 ISO I work with a lot of amateur photographers. There are times we are on location when I get the question, “so what are we shooting here?” Sometimes the answer is rather obvious, but oftentimes it’s not. As an instructor, these are the times I seize to really teach. My first response is to not hand it to them …

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More than just a camera

In Equipment & Technique, ND Filters, Portraits, Scenes & Scenarios, Wildlife by Mark LissickLeave a Comment

Editor’s note: We’re pleased to welcome Mark Lissik, a longtime Singh-Ray shooter and acclaimed photographer and workshop leader, to our team. Be sure to take a look at his new pro gallery page on this site.  No matter what your photographic abilities the challenge of keeping your creative level at its peak can be daunting and one I face every time I pick up a camera. It is all too easy to fall into a creativity rut where we tend …

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Photographing the Yosemite, Part 2: Summer in the High Country

In Equipment & Technique, Landscapes, ND Filters, Polarizing Filters, Scenes & Scenarios, Wildlife by Steve KossackLeave a Comment

Editor’s note: to read Steve’s previous Yosemite post, Part 1, click here. In the summer months at the Yosemite, it’s the high country for me. And you don’t need to get far into the wilderness to experience it. David Brower’s ice cream cone scenario often comes to mind as we leave Tuolumne Meadows on route to the Yosemite high camps beyond. The camps were built in the 1920’s mostly and remain one of my favorite locations for many reasons. There …

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My National Geographic Expedition to Iceland, Greenland and the Northwest Passage

In Action Shots, Equipment & Technique, ND Filters, Polarizing Filters, Portraits, Scenes & Scenarios, Wildlife by Jay DickmanLeave a Comment

Editor’s note: Longtime Singh-Ray shooter and National Geographic and Pultitzer Prize winning photographer, Jay Dickman, takes us through some wonderful images he shot during an expedition he led this past August. You might be surprised to know that these were all taken with the Olympus E-M1 mirrorless four-thirds camera. And, of course, with Jay’s Singh-Ray Galen Rowell neutral density grads, polarizers, Vari-ND and Color Intensifiers, the latter a filter that rarely comes off his lenses. Keeping up with the mirrorless …