In a time when many photographers believe that hardware filters are passé, there are still three types of filters that I use as often as I did back when I was a film photographer: the solid neutral density filter, the infrared filter (used on my unconverted cameras), and the always important graduated ‘split’ neutral density filters. Let’s start with the Solid Neutral Density filter I’m now using. It’s the new 10-Stop Mor-Slo ND filter from Singh-Ray. Extremely long exposures cannot …
Trip to Iceland proved to be a rich and inspiring experience
I have taken photo trips in Europe and the Mediterranean, but the biggest step yet has been my recent trip to Iceland. That had been a “dream” destination for a long time. The dream came true in June 2012. My goal for this trip was to explore the south coast, a part of the highlands and, if possible, the west peninsula. I had ten days there and the program was dependent on the weather. It turned out we were lucky …
Photographing Oregon’s Bandon Beach in Black and White with Gold-N-Blue Polarizer
What an incredible landscape; the sea stacks are of course the highlight, but I had a 7-foot high tide to contend with and… you guessed it… plenty of clouds. Two of the most popular sea stacks on the beach are known as ‘Wizard’s Hat’ and ‘Face Rock’ seen in the image above. Beaches can be beautiful places to sunbathe, but they can also be visually mundane. Bandon’s unusual sea stacks provide plenty of visual interest and story for a landscape …
Sharing some of my latest long-exposure images from recent trips
Since my last post, I have been on a number of trips and thought I’d share some images from them. Each of these long exposure images has something in common, the Singh-Ray Vari-ND and the Mor-Slo 5-Stop ND Filter. I was in the Sierras to attend the memorial of an old friend and mentor when I created this image. John was on my mind as I spent several days reminiscing about our times together and missing him. He loved the …
Tracing the Silver Bay landscape image from pre-visualization to post production
I thought I would offer a basic case study explanation of how this image of Silver Bay was created from the pre-visualization stage to the final post production steps. My basic motivation to create this image was to test an idea that’s reflected in many landscape photographers’ work. I’m referring to the idea that the photographer can control where the eye of a viewer first enters the image and the path that the eye follows while looking at the image. …
Capturing impressive infrared landscapes with the Nikon D-70 and an I-Ray filter
I became interested in landscape photography in 1997, when I was on Vancouver Island on the west coast of Canada. I was in school learning about infrared film. I had done a bit of work with it, but I was eager to see what it would do in the lush forests of British Columbia. My mother and I traveled to the island for Christmas break and I spent some time shooting photos in various places. Of course, this was infrared film back …
How to use long exposures to create mystical black and white images
I have always been intrigued by monoliths, first by the statues on Easter Island, then by the monolith in the film 2001: A Space Odyssey and most recently by Stonehenge in England. In each case, seeing these monoliths prompts the question; Who built them and for what purpose? I’ve always loved visiting Bandon Beach in Oregon because of the natural monoliths strewn along the coastline. Randomly placed, it is as though the earth were God’s chessboard and the monoliths the …
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