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Jump into infrared… without the commitment

In Black & White, Infrared Photography by Kate Silvia

Are you intrigued by infrared photography? Those etherial images where green trees turn white as if draped in snow, and blue skies become black as night? Well, I was… enough to convert a small point and shoot camera to try it out. While this won’t be a post on how to convert or how to process…that’s a whole class or two…I do need to tell you a couple things before I move on. There’s a couple ways to get into …

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I-Ray Filter shoots serious infrared images without destroying the Nikon D-800

In Black & White, Equipment & Technique, Infrared Photography, Landscapes, Scenes & Scenarios by Tom Bol

If you have opened a photography magazine lately, chances are you have seen an infrared (IR) image in one form or another, IR photography has seen a recent resurgence of popularity, largely because digital IR is so much easier than the notoriously tricky handling, shooting, and processing of traditional IR film. I do have to admit I like the look for certain scenes. But here is the catch. You have to convert one of your expensive digital SLRs to shoot …

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Tony Sweet demonstrates the use of three Singh-Ray filters he describes as essential to his art

In Black & White, Equipment & Technique, Infrared Photography, Landscapes, ND Filters, Scenes & Scenarios, Water Features by Tony Sweet

In a time when many photographers believe that hardware filters are passé, there are still three types of filters that I use as often as I did back when I was a film photographer: the solid neutral density filter, the infrared filter (used on my unconverted cameras), and the always important graduated ‘split’ neutral density filters. Let’s start with the Solid Neutral Density filter I’m now using. It’s the new 10-Stop Mor-Slo ND filter from Singh-Ray. Extremely long exposures cannot …

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Capturing impressive infrared landscapes with the Nikon D-70 and an I-Ray filter

In Black & White, Equipment & Technique, Infrared Photography, Landscapes, Scenes & Scenarios by Michael James

I became interested in landscape photography in 1997, when I was on Vancouver Island on the west coast of Canada. I was in school learning about infrared film. I had done a bit of work with it, but I was eager to see what it would do in the lush forests of British Columbia. My mother and I traveled to the island for Christmas break and I spent some time shooting photos in various places. Of course, this was infrared film back …